Twilight:
The Glamorization of Abuse, Codependency, and White Privilege Analysis
Background of Twilight
Twilight
is a paranormal romance series of books by Stephen Meyer which was made into
movies beginning in 2008. Bella Swan is the main character who moves to a small
town in which vampires and werewolves inhibit. She is quickly drawn to Edward
Cullen, a vampire, who is unlike the other boys at her school in that he does
not seem interested in the other girls. Bella’s family is friends with the
Black’s, who has a son named Jacob. Jacob and his family are part of the
werewolf tribe (Hardwicke, 2008).
Summary of Article
Danielle
N. Borgia wrote an extensive article on the Twilight saga promoting abuse,
codependency, and white privilege. Borgia repeatedly refers to Edward as
Bella’s Byronic hero. A Byronic hero is a character who is a rebel and troubled
by one’s past. Those qualities are just two of many that can classify one as a
Byronic hero (byronic hero, n.d.). In her article, Borgia highlights the
fact that Bella dismisses Edward’s “abuse” because he is unable to control
himself being that he is a vampire. His abuse is listed as being repulsed by
Bella (which only makes her want him more), putting her in harm’s way from
himself and other vampires, forbidding her to hang out with her werewolf
friends at La Push, and creating bruises on her after they consummate their
love on their wedding night. Edward uses his elite status to draw Bella into
his clutches. He uses money, cars, and clothes also which she claims she
doesn’t want. Bella becomes codependent on Edward so much that her world is
shattered when he leaves for a while. She becomes depressed, withdrawing
herself from others. She becomes reckless with a motorcycle in hopes of getting
him to return. She also uses her friend Jacob, a werewolf, in place of Edward
to fulfill her codependent needs. This further exemplifies her codependency
with men. White privilege is glorified by Bella as she is fixated on the Cullen
family beauty, stating that they are so beautifully paler than the rest of the
town. Edward sparkling in the sunlight further shows Bella’s appreciation for
the vampires. The werewolves are darker skinned, Native Americans, which
portrays Stephanie Meyers Mormon belief that those who are darker are beneath
those that are white. The author relays that wealth, status, and beauty are all
part of white privilege (Borgia, 2011).
Abuse
Borgia listed Bella’s abuse as Edward degrading,
controlling, and physically abusing her. He forbids her to leave on multiple
occasions, he is repulsed by her at the beginning, and he physically caused
bruising on her after their honeymoon (Borgia, 2011). This is the most prominent area in
which I agree with the abusive relationship between Bella and Edward. Edward is
controlling, jealous, and physically abusive. His abuse is dismissed by Bella
and readers alike as he battles with pleasing Bella. She accepts the way he
treats her and she is the one who initiates the physical contact on their
honeymoon that leads to the bruising (Hardwicke, 2008). Psychologist Wind Goodfriend, Ph.D.
examines the abusive relationship that Bella and Edward have as well. She
states that Bella has many qualities that would form her to be the perfect
victim in a relationship: 1) Bella has low self-esteem, 2) She is drawn to
Edward although he seems repulsed by her, and 3) She enjoys danger. Let’s not forget
about the other half of the abusive pair. Edward has qualities as well for the
abuser: 1) He is controlling, 2) He manipulates by use of material items, and
3) He is possessive (Goodfriend, 2011).
Codependency
Borgia
views on Bella’s codependency with Edward are shown mainly when he leaves her.
She becomes isolated, reckless, and depressed. She shuts everyone out and
begins doing dangerous things to lure Edward back to her (Borgia, 2011). In another analysis of the movie
Twilight, Bonnie Norman stated the definition of codependency from Wikipedia as
“Symptoms of codependence may include controlling behavior, distrust,
perfectionism, avoidance of feelings, problems with intimacy, excessive
caretaking, hypervigilance, or physical illness related to stress. Codependence
is often accompanied by clinical depression, as the codependent person succumbs
to feelings of frustration or sadness over their inability to improve their
situation”. Norman reiterates Borgia’s views that Bella is in a controlling,
destructive relationship with Edward. Edward dismantles Bella’s truck to
prevent her from going to La Push, where Jacob and the other werewolves live,
or anywhere else. He also bribes his sister, Alice, with a new car to keep
watch of Bella when he is unable to (Norman, 2009). Bella’s codependency of men is likely
to stem from her parenting. Her mother is more like the child in their
relationship. Bella feels regret and worry about moving to live with her Dad
but feels better knowing that her Mom’s boyfriend will be there to support her.
This line of thinking shows that Bella doesn’t think that women can survive
without a man in their life. Bella’s father is at work the majority of the
time, being the sheriff of the town. This further drives her to seek male
companionship to replace her father’s parental duties, which Edward does do in
a stalker kind of way. He “grounds” Bella from seeing her friends at La Push
and even watches her at night while she sleep, which she finds comforting
instead of creepy (Hardwicke, 2008).
White Privilege
Borgia delves into the theory that the werewolves are
inferior to vampires which is exemplified by the darker skin of the Native
Americans versus the alabaster white of the vampires. Borgia points out that
the werewolves imprint with their mate which is seen as beneath the way that
vampires find their mate, further showing white privilege. The Cullen’s also
show how the werewolves are beneath them as they provide clothing and human
food although the werewolves prefer their wolf form. To further prove the
difference in color, at one point Jacob even compares his skin to Bella’s. Her
skin is almost as white as the vampires where his is dark like the other Native
Americans. Borgia continues to compare the color issue as Stephanie Meyer’s
Mormon beliefs in which darker skin is associated with blasphemy (Borgia, 2011). Literature and
women’s studies scholar Natalie Wilson backs up Borgia’s white privilege
theories especially on the color differences of the werewolves versus vampires
and Stephanie Meyer’s Mormon beliefs role into white privilege (Wilson, 2010). I think the white
privilege angle is one that these reviewers are reading too much into. Although
they prove their points, it seems like they are stretching for those points.
The Cullen family has more than the Native Americans because they have been
around longer, providing more time to obtain the riches that they endure (Hardwicke, 2008).
Conclusion
Borgia, as well as
the others, provide many interesting points and thoughts towards the Twilight
saga, but I think they have analyzed it a little far in some aspects. The book
is fiction, not meant to be a guideline to how people base their relationships.
Readers should have the common sense to acknowledge that works of fiction are
just that and not meant to be recreated in any way. The majority of the readers
understand that vampires and werewolves are not real and do not believe that
the relationships within the book are a way to hold one’s standards. This is
not to say that the article is not important, it is. Society should have
varying views in which to compare and contrast each other’s point of views. It
gives us something to ponder and respond intelligently with others.
References
Borgia, D. N. (2011). Twilight: The Glamorization of
Abuse, Codependency, and White Privilege. The Journal of Popular Culture, 47,
153-173. Retrieved October 28, 2014, from
http://0-journals.ohiolink.edu.olinkserver.franklin.edu/ejc/pdf.cgi/Borgia_Danielle_N.pdf?issn=00223840&issue=v47i0001&article=153_ttgoacawp
byronic hero. (n.d.). Retrieved October 27, 2014, from The American Heritage New
Dictionary of Cultural Literacy, Third Edition:
http://dictionary.reference.com/browse/byronic%20hero
Goodfriend, W. P. (2011, November 9). Relationship
Violence in "Twilight". Retrieved October 29, 2014, from A
Psychologist at the Movies:
http://www.psychologytoday.com/blog/psychologist-the-movies/201111/relationship-violence-in-twilight
Hardwicke, C. (Director). (2008). Twilight
[Motion Picture]. Retrieved October 28, 2014, from
http://www.imdb.com/title/tt1099212/?ref_=nv_sr_2
Norman, B. (2009, November 19). Don't Touch That
Book, or Why Twilight is Not for Girls. Retrieved October 29, 2014, from
Professor Beej:
http://www.professorbeej.com/2009/11/why-twilight-is-not-for-girls.html
Wilson, N. (2010, April). Monstrous Musings: Got
Vampire Privilege?: The Whiteness of Twilight. Retrieved October 29, 2014,
from Womanist Musings:
http://www.womanist-musings.com/2010/04/monstrous-musings-got-vampire-privilege.html